行走在梦乡（3）
reater or lesser degree, and inexperienced too—in love and convinced that our ability us to the great theatres of this reat art, and great art deserved us. that is hoht then.
everyday reality looked rather different. the first lesson alreat figures sho schiller and shakespeare on stage , tap-dancing, singing. thro and catching imaginary balls. recognizing, reat art only became apparent to us very sloe. , long last alloe could be the loneliest place in the a fe them. of course there is stage fright, but of all is simply across the stage. one never quite gets that right. a person crossing a stage is not simply someone , but a person acting a part. but ave and talent—because for three years one but oneself, s, voice, body, and the inner barriers in ood substitute for lack of talent.
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